Ever since I saw the trailers, I’d been stoked about House of Gucci. If I’d been in the states, I would have actually gone to see the movie Thanksgiving Day, even though in the past I have done my best not to buy anything on that actual day, in order to give the retail folks a break. Seeing the trailers really did make me want to be at home, the day off, stuffed full of food, and looking forward to a day at the movies. But thanks to Google play, I finally had a chance to see it. I pampered myself: steak dinner, potato, wine. And I was a bit disappointed.
It wasn’t the first big deal movie I was let down by. I’d waited years to see Judy, the movie about the last couple years of Garland’s life. And even though Reneé Zellweger did a fantastic job as Judy, the movie fell flat. And I felt bad for feeling bad. God knows Garland had been driven at a pace that required drugs, and you’d think as an adult she’d stay clear of them, but the damage had been done.
I didn’t have that same feeling with House of Gucci. I always felt sorry for Judy Garland, but I hadn’t known about the Gucci family drama and demise until recently. I am all about family drama, since my brother and I were left to squabble over our falling-apart childhood home, which our mother had left to both of us. Neither one of us could afford to buy the other out, so for nearly 20 years, it’s been me trying to deal with property taxes and insurance, and keeping it (barely) livable. The matter is heading toward a resolution, however, without anyone resorting to murder. House of Gucci is two and a half hours of a story that never quite takes off, despite a great cast and attention to detail.

Lady Gaga as Lady Gucci (or Patrizia Reggiani)
The movie opens in late 1970s Italy, Lady Gaga as Patrizia Reggiani, working at her father’s trucking company. A friend invites her to a party, and Patrizia shows up in a stunning red dress. At the bar, a bookish, nerdy dude is in serving position, even though he is an invited guest. So why is he behind the bar? We’re never told, but they meet awkward and we find out he’s Maurizio Gucci, a Gucci of THE Guccis. Not this Maurizio The confident Patrizia lures him out on the dance floor. She low-key stalks him and ambushes him at either a library or bookstore, I can’t tell which. They eventually go out on a date. Gucci is seemingly not too interested in the family business, instead training to be a lawyer. He’s sort of like the Michael Corleone of the Gucci family. He’s well aware of the circumstances he’s living in, but doesn’t want to be part of the family business. Of course, we all know how that turned out. Patrizia and Mauri get married, accompanied on the soundtrack by George Michael’s “Faith.” I don’t quite get it, except maybe it means that Mauri needs faith because even though he’s from a family with bucks, Patrizia is not exactly a starving secretary in a cold water flat. However, fashion is much more palatable than garbage trucks, or whatever kind of trucking company her dad runs. So seeing the future, you get the feeling Patrizia has married beneath her and above her at the same time. Mauri seems a bit lukewarm and less dramatic than his other male family members, and he blames that on his mother’s German blood. I hear ya, buddy. I have seen other Latinas more fiery than I am, and wondered why. It makes sense now. You drop a bucket of GERMAN over someone, and it blots out everything else. Mauri is so tightly wound, he doesn’t even show his teeth when he smiles.

Mauri and Patrizia and House of Gucci
Adding more fuel to the fire is that Mauri’s dad is not fond of Patrizia. He can see through her, and know that this wide-eyed Italian girl has goals, and it’s not to marry a lawyer. He throws Mauri out, and he is in the humiliating position of asking his future father-in-law for a job. He gets a gig, presumably moves in to the Reggiani household, and the wedding comes and goes. Mauri is happy with his blue collar lifestyle, but Patrizia wants more for him. Thanks to Mauri’s uncle, he and Patrizia squirm their way into the business, with his uncle’s blessing. Mauri seems a bit reluctant, but Patrizia is happy to accept free tickets on the Concorde to New York, free Gucci swag, and a great townhouse. Her dreams are coming true.
There’s some drama over shares of the company, and who can do what. One of the uncles, played by Jared Leto, is a wacky Italian caricature of….Mario from Super Mario Bros? He’s packed full of emotion, a wannabe designer who seemingly gets a shot…only to have his fashion show shut down. No one takes him seriously, and he ends up selling his shares.
Hitman’s Paradise
The wimpy Mauri grows weary of Patrizia, dumping her for a slightly younger blonde. Patrizia goes nuts, and it’s interesting to see her go from dripping fur and jewels to sporting jeans and a leather jacket, and a snarling, paranoid mood when she hires a hitman to take out Mauri. It’s sort of refreshing to see a woman so possessive of a man that she goes to such lengths to prove her “love.” Usually it’s the man who’s all “dammit, so she doesn’t want me, fine. I’ll kill the bitch. That’ll show em!” A dead lover/husband is a dead lover/husband, but Patrizia doesn’t care. Women scorned rarely care.
Literally Sacred Cows
Before all this went on, businessmen are trying to convince Mauri it would be in his best interest to sell his shares. Apparently mad bucks are being spent on everything except how to run the business properly, and he is reluctant to part with an empire. But $150 mil is $150 mil. He is forced to see how extravagant his spending is when at a dinner with investors, one of them asks about the meat they are served. The butler informs him where the meat comes from (Gucci cows, of course) and that the animals are treated like “royalty.” At this, Mauri slams his plate full of food into the floor and storms off.
Finally the deed is done, and we’re in the courthouse seeing Patrizia and her hitmen buddies and psychic best friend Pina get sentenced. We are left with credits summing up what happened to everyone else who was involved with Gucci. The wacky uncle died in poverty in London. The patriarch, Aldo, died of prostate cancer in 1990.
House of Gucci: Let’s Do Some Editing

I usually can put my finger on what’s wrong with something, be it a restaurant, a population control plan, or a novel, thanks to my lifetime of picking things and people apart, but I’m not sure what exactly is wrong with this movie. I’d have to start out with an editing problem. Each scene feels like there’s a bit too much of it. Like we get it, they get married. Too much time spent on that, the ski slope, the “hey, we live in a huge penthouse in New York, isn’t this great?” reaction shots of Patrizia set to the Eurthymics “Here Comes the Rain Again.” Even the scene where Patrizia confronts Mauri’s old friend and new lover Paola goes on for too long, involving strudel of all things. I’d start with editing first, but of course, no one asked me.
I guess the reason I’m upset is that I paid $20 or so to see this movie. I usually rely on my gut instincts when I pick films, and usually I’m rarely disappointed. But even though I spent the same amount watching it in China as I would in the US (when you figure in the popcorn and soda) I am upset that I spent that much on a movie that I literally cannot sit still to watch. I think I’ve tried watching it three times, and each time I want to get up for a snack, do laundry, wash my makeup brushes, go to the bathroom, brush my teeth or surf the ‘net as this semi-biopic drags on. It’s a shame that someone was murdered, but I can’t conjure up any tears for Maurizio Gucci. I felt he didn’t put his foot down enough when it came to Patrizia, and it seems like she was a better businesswoman than any of the guys involved. She actually gave a shit when she discovered her maid’s husband had bought her a Gucci bag for her birthday, and found out it was a well made fake. Neither Mauri nor Aldo seemed to care either, and that enraged Patrizia. Maybe Gucci was destined to fall only to rise again, without anyone named Gucci currently working at the firm.
Lauren, Ralph Lauren, not House of Gucci
Me, I’m a Ralph Lauren kind of girl. The Gucci print fabric doesn’t do anything for me. I prefer my bags a solid color and a classic shape, unless I’m in one of my whimsical modes. Classic lasts, and if I can ever afford it, I’d rather drop a grand on a bag that is going to look good five years from now, instead of only fifteen minutes. It’s the same with Louis Vuitton. I don’t like patterns, give me plain leather. Even that bag Carrie gave Louise in the first Sex and the City movie was awful. When I was in Beijing, I spotted a Stella McCartney bag I was very tempted to buy, but it was $1300. What was astonishing to me is that I actually had enough money to buy it, but didn’t. I wanted to hold on to my cash, because with my lack of luck with jobs here in China, I have absolutely no business dropping that much coin on a relatively small bag. This photo looks almost exactly like the bag I saw, except I could have sworn the one I saw in person had drawstrings at the top.

So, House of Gucci gets a “meh” from me. It’s a good movie to clean house to. I’ll watch it again, maybe to see if I can get through it, but when I watch it, I can’t stay focused.



















You must be logged in to post a comment.